Despite dissonances in voice, space and time, both composers resonate in form and align in their portrayal of absurdist characters as “outsiders”, questioning their existence in a bleak and “indifferent” universe, whose protracted introspection sideline traditional notions of love and the feminine identity. The result is a dynamic textual conversation that transcends the paradigms of time and context, holding enduring relevance for contemporary readers, interrogating the interaction between the internal and the external; one’s self and their society.